TFR is over. But check out TFR's owner new project for this year
Willa 2010

WILLA is the new thematic party run by Gallermic, the creator of TFR and Narziß, two regular events that grew into an unparalleled mediatic tour de force inside of the world of fashion and art, due to an exuberant visual and intellectual attack against mainstream culture in the Japanese society and in the globalized world. Taking into account this background, Willa is the ultimate sophisticated scenario to present Gallermic’s authentic reflections about life, the world, the human being, the good and the evil, the culture, the art scene, and most of all an excuse to show Galle’s exuberant ability to love. The objective of the party is to generate love and communication through a universal symbolism that reaches everybody’s heart. As Galle declares: “Willa is a party for the good flowers”.

日本語\\\\WILLA は、ファッションとアートの世界に偉大な功績を残した二つのパーティー、TFRとNarzißの創設者、Gallermicによる新しいパーティーである。日本社会とグローバライズ化された世界の主流のカルチャーに対する、圧倒的な視覚体験と知性による反撃を意図して開催されて来た。こうした背景を鑑み、WILLAは、Gallermicにとっての日常、世界、人類、善と悪、カルチャー、アートシーン、そしてとりわけGalleの愛についての表象を、究極に洗練された物語として送り届ける。このパーティーの目的は、すべての人々の心に届く普遍的な象徴を通して、愛とコミュニケーションを慈しみ、育むことにある。Galleの言葉を借りれば、「WILLAは善き花々へのパーティーである」。

Ciao For Now. And Deep Throat To You All!
↓↓↓Narziß Final 12/12↓↓↓
12/12 Next Narziß is The Last Narziß 12/12
↓↓↓Ciao For Now. And Deep Throat To You All!↓↓↓

~> Dec 12 (fri) 10P Narziß Celebrating *Ciao For Now. And Deep Throat to You All!* at Trump Room, Shibuya.

Next Narziß is the last Narziß, our last party: an erotic fantastic farewell. We are saying bye-bye after 21 parties: it's like the magical 7 x 3, the number of the perfection by excellence and of the individuality according to the numerology. For us is inhuman and perfect: like a triangle. For how extraordinary have We been all this time, after all... It’s arousing: Ciao for now. And deep throat to you all!

P.s. We don't want to be uncouth (but we want to be called uncouth), BUT this is the last party, the last photos, and the last chance to represent your groovy self... and there is NO turning back!

↓↓↓Narziß 11.29↓↓↓

A socialite preview from last Narziß celebrating "Dame With Eggs". Among the guests were French writer Isabelle Nobouta, Yoshiko Kris-Webb and Martin Webb, performer Lauren Levitt as Cotton Bale, Trippple Nippples' Qrea, photographer Zoren Gold (MiZo), Dolomites' Stefanko Balkano, musician Allon Beausoleil, Niche's Jesus Salinas. Music selected by Qrea, allon, Stefanko and TFR. All the photos soon on
↓↓↓Narziß 11.21↓↓↓

A socialite preview from last Narziß celebrating "Netochka Nezvanova And The Master Of None". Among the guests were writer Ryosuke Handa, legendary drag queen Vivienne Sato, Swedish designer Patrik Soderstam, Trippple Nippples' Qrea, New York's performer Kyoko, Uburoi's designer Mitsue Iwata, Gallery Naruyama's Jason, Niche's Jesus Salinas, Gimme Um's Pierre and NarziB's image Sono. Music selected by Mc Carrabeener, Jesus and TFR. All the photos soon on
↓↓↓Narziß 11.8↓↓↓

A socialite preview from last Narziß celebrating "The Innuendo Of La Maja Desnuda" and the host Gallermic's birthday. Among the guests were Martin Webb & Yohiko Kris-Webb, musician Allon Beausoleil, legendary drag queen Vivienne Sato, photographer duo Minori & Zoren (MiZo), Trippple Nippples' Qrea, New York's performer Kyoko, M-Flo's singer Verbal, Chanel Japan's Nicolas Lefeuvre, Uburoi's designer Mitsue Iwata, curators Kiku Kudo & Ishiguro, Gallery Naruyama's Jason, French writer Isabelle Nobouta, Gimme Um's Pierre, Dazed&Confused's Sakiko, Vogue Hommes' Emi, Sister's Fuyuri, Rereremojojo, Shima's Sachiko and NarziB's image Sono. Music selected by Mademoiselle Yulia, Zoren, Cooldisco'1drink' and TFR. All the photos soon on
More details and the complete party report on (Or scroll down...)

Interview in Enlgish:
DAZED: Could you tell me about the party that you are organizing right now? (The name of the party / When did you start having it? / How often are you having it? Etc… Give me the details!)
TFR: The name of the party is NarziB. Basically, NarziB is held every other week at Tokyo's most stylish spaces. We started the party from March 8th 2008.

DAZED: After establishing the party "TFR", you started having another party called "NarziB", what are the conceptual differences between those two? Also, what are the unite concepts?
TFR: TFR is a web magazine critiquing fashion, art and club culture in Tokyo. What differentiates TFR from other media is that we clarify our position and criteria on the issues we cover. The party we organized under the name of TFR was supposed to be the manifestation of our opinion. Therefore, we attempted to represent it through our fashion, the title of each party, flyer and everything. Basically, the concept of TFR parties were rather political and aggressive (ex. anti-globalization). We believe that TFR is something like a visual guerrilla trying to attack the mainstream culture. On the other hand, NarziB is a side project of TFR. Compared with TFR, NarziB doesn't necessarily intend to represent an opinion. It is merely for fun and networking. To us, there seemed like in Tokyo the so-called "community" is virtually non-existent. We want NarziB to be a cultural community for beautiful and individual people. We don't play loud music in NarziB. We want our guests to talk and know each other. NarziB is not fashion-oriented. A wide variety of people with different background are welcomed. As a matter of fact, our guests range from cultural figures like a film actor and an art curator to bohemian homeless. At the same time, NarziB is devoted to beauty. We have dress code for each party and the poor-dressed will not be admitted.

DAZED: Who writes the manifest for the parties?
TFR: Gallermic Mabuse

DAZED: How do you select DJs? Do you have a guideline for it?
TFR: We think there is a ridiculous overvaluation of the DJ nowadays. Specially in Tokyo, the Dj culture has reach the limit of idolatry, to become a Dj is the last burst of the ambition of the club kids. But why? It is like for Japanese there wouldnt be other way to be a star. And we consider that Dj ambition a misery of personality, lack of talent, and the worst tragedy of the parties along with Rave. Therefore, We are not music oriented. We want our visitors to get excited by interaction with beautiful people, to create community, icons and gossips. We rather select our guest Dj's by their cultural background and their beauty, and we called them the oldfashioned way: "selectors". Sometimes we dont even know who is gonna dj next party, we just improvised. Nevertheless, our music selection is rich. A wide range of classical, jazz, gypsy, global grooves, house, auld lang syne and cinephiliac music.

DAZED:What was the start of taking party snaps?
TFR: Just recording our memories.

DAZED: What/which kind of moment would you like to capture when you take photos?
TFR: Whenever as long as the subject is beautiful.

DAZED: What do you think about Tokyo party scene? How do you like to be placed in?
TFR: We don't really know what kind of parties are going on in Tokyo. We don't want to take ourselves within the context of Tokyo or anywhere on the earth. We prefer being regarded as a metaphysical concept without being restricted by biased idea, the name of a city or a country would possibly give.

DAZED: Could you tell me about the fashion style of the TFR guests? Do you have a special dress code?
TFR: Dress code = Individuality. Nothing is more important.

DAZED: Tell me about the concept of the exhibition you had this year, "POST NO FUTURE" at hiromiyoshii gallery.
TFR: Fashion is hentai. We can not help the association between something as superficial and hedonistic as fashion and the mere sexual pleasure full stop. Therefore, for us, a fashion personae who is not a hentai, it is an impostor, a traitor, an alienated puritan in disguise following trends who might just finish his days without a notion of personal style nor fashion itself. Fashion can be zoophiliac, necrophiliac, paediophiliac, dendrophiliac...all the paraphilias. And this can sound as obscene as fascinating, but most of all we are just trying to give an idea of the precariety of fashion these days. We spread fashion in all senses, and are here only to encourage creativity in personal hentalism.

DAZED: Do you have any plans to start up a new project?
TFR: Travel report by TFR's half Naokoula who is in a world round trip right now. And UBUROI, a fashion label for people who likes concepts like NarziB.

Thanks Dazed&Confused

↓↓↓TFR On The World-Round Trip↓↓↓
TFR's half Naokoula is in the middle of the world-round trip. She started writing about her experience on TFR...

english\\\\What is recorded here is not necessarily our experience. It can be an absolute fiction all made up in our head, or as a matter of possibility, something we MIGHT have experienced, or perhaps something we DID experience but in some other place or time. We have two kinds of journeys at the same time: the outward and inward. Our outward journey is governed by the clock and the budget, but inward one ignores the boundaries of place and time. The journey is not linear.It is always back and forth. And it is what we want to record, leaving us free from the time and the physical distance. Here, we deny the calender. We deny the map... (To read more, scroll down)

japanese\\\\ここに書かれていることは、私たちが実際に体験した出来事かもしれないし、もしかしたらすべて私たちの頭の中だけで作り上げられた完全なフィクションかもしれない。もしくは、可能性の問題で、体験しなかったけれども、体験した「かも」しれない出来事、また、私たちが体験したことだけれど、どこか違う場所で違う時間に体験した出来事かもしれない。私たちは、同時に2種類の旅をしている。身体的な旅が1つ。もう一つは精神的な旅。そしてその旅は、直線じゃない。そういう形の旅は、いつも行ったり来たりを繰り返す。そんな時間軸や物理的な距離に捉われない旅を私たちは記録したいと思っている。私たちは、カレンダーを否定する。私たちは、地図を否定する... (To read more, scroll down)

español\\\\Lo que grabamos aqui no es necesariamente nuestra experiencia. Puede ser una ficcion absoluta completamente inventada en nuestra cabeza, o una cuestion de posibilidad, algo que PUDO habernos pasado, o tal vez algo que SI experimentamos pero en algun otro tiempo o espacio. Nosotros tenemos dos tipos de viaje al mismo tiempo: exterior e interior. Nuestro viaje exterior esta gobernado por el reloj y el presupuesto, pero el interior ignora los limites del tiempo y el lugar. El viaje no es lineal. Es siempre de ida y vuelta. Y es lo que queremos grabar, dejandonos libres del tiempo y de la distancia fisica. Aqi, nosotros negamos el calendario. Nosotros negamos el mapa... (To read more, scroll down)

↓↓↓TFR In V Magazine ↓↓↓
This is how New York's famous V Magazine presents TFR in V53 index ~> "Underworld: If there’s any way Tokyo club kids could get any crazier, send us picture evidence". To top it all off, TFR is featured along with Isablle Adjani, Hunter S. Thompson et Dennis Hopper..FEAR AND LOATHING!!! Now on sale in Tokyo at Tower Records, Aoyama Book Center et Tutaya Roopongi Hills.

Thanks V

english\\\\ Apart from the off-upon sadomasochistic clothing, what else has been done in order to represent the fetishism of human beings or, going beyond, the universe of sexual deviations? [CHECK OUT OUR EXHIBITION ABOUT PARAPHILIAS, CLIC IMAGE]


español\\\\ Además de la ultra mañoseada vestimenta sadomasoquista, ¿qué más se ha hecho en aras de representar el fetichismo de los seres humanos o, yendo más allá, el universo de las desviaciones sexuales? [CHEKEA NUESTRA EXHIBICION SOBRE PARAFILIAS, HAZ CLIC EN LA IMAGEN]


english\\\\JAPANESE DON'T USE THEIR FREEDOM. It's not that we believe that a perfect place exists on the Earth. But if there is something close to it, it is the subculture -the space where we can find that and those who we are looking for-, or specifically that type of independent, free, countercultural, philosophic and bold community. Lamentably, it is in this sense of subculture /community where we bump into the weakest and most demoralizing point of Japanese society. [TO READ THE WHOLE ARTICLE ABOUT THE JAPANESE SOCIOCULTURAL REALITY, CLIC IMAGE BELLOW]

español\\\\LOS JAPONESES NO USAN SU LIBERTAD. No es que creamos que exista un lugar perfecto sobre la Tierra. Pero si hay algo cercano a eso es la subcultura -el espacio donde podemos encontrar eso y a esos a quienes estamos buscando-, o específicamente aquel tipo de comunidad independiente, libre, contracultural, filosófica y atrevida. Lamentablemente, es en este sentido de subcultura/comunidad donde nos topamos con el punto más débil y desmoralizador de la sociedad japonesa. [PARA LEER TODO EL ARTICULO SOBRE LA REALIDAD SOCIOCULTURAL JAPONESA, HAZ CLIC EN LA IMAGEN]

↓↓↓TFR IN NYC↓↓↓
Feat. The NYC Personalities Of the Moment [clic image]
My Photo
Location: Tokyo, Japan

we are a space of FREEDOM, FRESHNESS and ESCAPISM. from this perspective, we are one of the very FEW ORIGINAL MEDIA -and definitely the one that has the MOST TENACIOUS and CRITICAL OPINION- related to the 'WORLD OF FASHION'. yes, world we belong to, but also world we find abhorrent because it's representing the most visible side of the pseudo-well-being [CONSUMERISM], that behind glamourous SMOKE SCREENS [generally starred by 'MODELS' and 'POP STARS'], and making use of the so-called 'TRENDS', spreads the most recalcitrant STEREOTYPES of CAPITALISM and its just-apparent GLOBALIZATION... at THEFASHIONRAMONE [a.k.a TFR] you will find, then, the best alternative in fashion design and counterculture!!!!!


Monday, July 23, 2007


日本語\\\\決して忘れない-> 過去完了形のホログラフィックUFOに乗ってやって来たCHAPTER 3P, TFR DJZのリズムに合わせて何層もの輪になった小さなおしりをふりふり…、TFR DJZ、神話的なジュラ紀「もののけ姫」の時代から未来にやって来た恐ろしい生き物…。JUNKY、ヤリマンチンズ(プレイボーイ・プレイガールたち)を刺激する囚人のようなメーキャップと骸骨のような体の持ち主…。RUU、山中でのパーティのようなトレッキング用カクテルルック、SHE IS A ROCK!...。 NON と BOYFRIEND、一緒にいるとかわいいね、ベストSEX!!!...。 この中には一人しかいないスカンジナビア人、もう一回会いたい!!...。 KUMAMOTO, アシッド・ディテクティブ、シブヤをやっつけろ!!!...。 AMELIE, 秘書に変装したちっちゃなアバズレ... SLUT GAL, 多分彼女は本当にちっちゃいアバズレね... E-GALLIANO, アバズレじゃないけどそう見えちゃう... そして RE:RE:RE:MOJOJO、彼女はアバズレじゃありません、"アバズレVJ"です!!!!!!!!

english\\\\we-ll never forget-> the CHAPTER 3SOME, who landed in their pluscuamperfect holographic u.f.o to shake treir stratified ringish little asses to the rythm of TFR DJZ... the TFR DJZ, these morbid creatures who came back to the future from the hairy- mythologic-jurassic yummy times of princess mononoke... JUNKY, with his prisoner makeup and his bombastic skeleton body eroticizing the YARIMANCHINZ [playboygals]... RUU, with her trekking cocktail look, say, posh party on the mountain, not folk and not urban, SHE IS A ROCK!... NON and her BOYFRIEND, they look so lovely together, as though they had the best sex!!!... the SCANDINAVIAN, there is no other one in the scene, we wanna see him again!!... KUMAMOTO, the detective of acid, fear and loathing in shibuya!!!... AMELIE, who is a petit puta in secretary disguise... the SLUT GAL, who probably is a petit puta for real... E-GALLIANO, who ain’t a puta, but looks like... and RE:RE:RE:MOJOJO, who definitely is not a puta, is VJ PUTA!!!!!!!!

español\\\\nunca olvidaremos -> al CHAPTER 3SOME, quienes aterrizaron en su ovni holografico pluscuamperfecto para mover su culito estratificado anular al son de TFR DJZ… a TFR DJZ, estas criaturas morbosas que regresaron al futuro desde los sabrosos tiempos peludos-mitologicos-jurasicos de la princesa mononoke… a JUNKY, con su maquillaje de presidiario y su cuerpazo de calavera erotizando a los YARIMANCHINZ [ligones]… a RUU, con su trekking cocktail look, o sea, fiesta posh sobre la montania, no es folk ni urbe, SHE IS A ROCK... a NON y su BOYFRIEND, que se ven tan lindos juntos, como si tuvieran el mejor sexo… al SCANDINAVIAN, es que no hay otro en la escena, le queremos volver a ver!!... a KUMAMOTO, el detective del acido, miedo y asco en shibuya!!!… a AMELIE, que es una putita que se disfraza de secretaria… a la SLUT GAL, que tal vez es una putita de verdad… a E-GALLIANO, que no es puta, pero que parece… y a RE:RE:RE:MOJOJO, que definitivamente no es puta, es VJ PUTA!!!!!!!!

WE ARE DANCING - A CAUSE DE GARÇONS [riot in belgium rmx] by YELLE

  1. best fashion- TFR DJZ [tfr] + CHAPTER 3SOME [chapter]. JUNKY [sweet dreams]. AMELIE [club kid]. RUU [tokyo bopper]. KUMAMOTO [wig designer]. E-GALLIANO [tfr]. BENI [alexandre herchcovitch]. RE:RE:RE:MOJOJO [fancyhim.tfr]. SCANDINAVIAN [???]. ORANGE COUPLE [takeshita street]. GOLDEN GAL [???]. SLUT GAL [club kid]. DOLL [???]. KIMONO GALS [spank!]. YUI [faline]. TAIWAN GAL [???]. MASATO [club kid]... and everybody inside of this fucking fashion snapping!!!!
  2. best dj- EVERYBODY
  3. best vj- RE:RE:RE:MOJOJO [fancyhim.tfr]
  4. best hair- RUU [tokyo bopper]
  5. best make up- JUNKY [sweet dreams]
  6. best fashion toy- TFR DJZ mononoke mask [TFR]
  7. best headdress- RUU [tokyo bopper]. BENI [alexandre herchcovitch]
  8. best wig- E-GALLIANO [tfr]
  9. best pair look- TFR DJZ [tfr]. KIMONO GALS [spank!]. PINK GALS [club kids]
  10. best group look - CHAPTER 3SOME [chapter]
  11. best foxie- RUU [tokyo bopper]
  12. best hottie- JUNKY [sweet dreams]
  13. best hentai - TFR DJZ [tfr]
  14. best bitch- FALINE GAL [faline]
  15. fashion spot- INDIVIDUAL
    * our criteria is tyrannically subjective. It is based on our fine sensibility towards the vanguard in fashion design, in styling, in superfitial heresies and club musics. Despite our nihilism, we still want to create a better world.


Tuesday, July 10, 2007



アンリ・ミショー展 ひとのかたち
開館時間:午前10時~午後5時 金曜日は午後8時まで 月曜日休館(*2007年7月16日(月・祝)は開館、翌17日(火)は休館)
Access: 東京メトロ東西線竹橋駅1B出口より徒歩3分

english\\\\We love Henri Michaux. We love his mescaline masquerade. We want to dance with those elfin figures. And we adore his vivid description of the euphoria in his poetry. After all, how could he manage to put mind-blowing rapture and clinical objectivity together in his poetry like that? We believe that "Miserable miracle (La mescaline)" is no less vibrant and vertiginous than "The Doors of Perception" and "The fear and Loathing in Las Vegas". Emil Cioran once acclaimed Michaux's works as 'fetishism towards little nothings'. As Cioran said, Michaux's works are merely his personal records about his private-hedonistic trip over the walll of the conscience and the unconscious, BUT WE DON'T GIVE A SHITE...after all, "The Fabulous Mint 400" is not really what we are looking for. We never know what purgatory is until we get there...

Henri Michaux/Emerging Figures (Japanese)
Venue: National Museum of Modern Art, Tokyo
Schedule From 2007-06-19 To 2007-08-12
Venue Hours From 10:00 To 17:00 fridays closing at 20:00 Closed on Mondays
Note:On a Public Holiday Monday, the museum is open but closed on the following Tuesday.
Access: 3 minutes walk from Exit 1B at Takebashi Station on the Tozai Line

español\\\\Amamos a Henri Michaux. Amamos su antifaz de mescalina. Queremos bailar con esas figuras primorosas. Y adoramos la vivida descripcion de euforia en su poesia. Despues de todo, como consiguio unir extasis abrumador y objetividad clinica en su poesia de aquella manera? Creemos que 'Miserable milagro (La mescalina)' no es menos vibrante y vertivinosa que 'Las puertas de la percepcion' y 'Miedo y asco en Las Vegas'. Emil Cioran una vez proclamo el arte de Michaux como 'fetichismo hacia las pequenias nadas'. Como Cioran dijo, los trabajos de Michaux son meramente registros personales de su viaje hedonistico-privado sobre el muro de la conciencia y la inconciencia. PERO NOS LLEGA AL HUEVO... despues de todo, 'The Fabulous Mint 400' no es lo que en realidad estamos buscando. Nunca sabremos lo que es el purgatorio hasta que lleguemos alli...

Henri Michaux/Emerging Figures (Japanese)
Lugar: National Museum of Modern Art, Tokyo
Fecha: Del 19-06-2007 al 12-08-2007
Hora: De 10:00 a 17:00. Viernes cierra a 20:00. Cerado los lunes
Acceso: 3 minutos a pie de la salida 1B en la estacion de Takebashi en Tozai Line


Monday, July 02, 2007


日本語\\\\決して忘れない→ TEENAGE KICKS PARANOIA, 500人以上が欲望とハード・ドラッグに取り付かれてた。そのうちハイエナの舌と昆虫の眼を持った3人は僕たちの唇をめがけて飛んできた。ウエッ!...愛のために死す、ステージの上でも外でも、変わらずアナーキストで酔っ払ったおサルさん。ぶたないでいてくれてありがとう!...PETTY、「いとこのイット、バービーに会う」といった装いで現れ、「ゾンビにファックされたバービー」のように帰っていったね。...the MIKIRIHASSHIN CREW, 独立の日を幻覚に見ていたイナカモノでナショナリストの日本人たち、僕たちは初めて、そういったものをいいなって思ったんだ... YOHEI, ウシ人間、でも彼はおっぱいが無いのにミルクはどこから出すんだろ?... the CHAPTER, スーパーソニック達の3P。3P、僕たちが永遠に愛せるただ1つのこと!!!... JAP PISTOLS, 80年代のpunkorette、ところで僕たちは80年代が大嫌いなんだ、でもあのサングラスと靴と欠けた歯の彼は最高だった!!!.. LAURA, 狂った欲情の 女吸血鬼、みんなが見てる前で小人のゴブリンに彼女の豊満な肉体を捧げていたね!!!!... TAKASHI, KICKS MAFIAの中でも一番のイケメンで美味しそう... KIM, 宇宙から地球に落ちてきたBLEU HOTTIE... そして EGALLIANO vs. RYUZO, CIRCUS TFRのアトラクション、15の目を持つ黒い未亡人とヘンタイジプシーコンピュータ。酒とドラッグに溺れ、みんなが通り過ぎるところで、お互いの体をいじくりあってたね、ああ、なんて人間くさいんだ!!!!

english\\\\We-ll never forget-> TEENAGE KICKS PARANOIA, more than 500 whoez possesed by lust and hard drugs, and 3 of them came with their hyena tongues and their insect glances flying towards our lips, how gross!... AINOTAMENISHISU, for being as anarchists and drunkard apes both in and out of the stage –thanx for not beating us!... PETTY, who came in like ‘cousin itt meets barbie’, and left like ‘barbie fucked by the living deads’... the MIKIRIHASSHIN CREW, these villager and nationalist japanessies hallucinating with the independence day, -and for the very first time we loved that shite, shame!... YOHEI, the cow-man, but as he has no tits, where would his ‘milk’ come out from?... the CHAPTER, the MENAGE A TROIS of the supersonics, of the fururists, man it’s a THREESOME!, that is the only thing we gonna love for ever and ever and AFTER!!!... JAP PISTOLS, this eightie’s punkorette, and by the way we hate 80’s, but he with those sunglasses, and those shoes, and his broken tooth, the IT!!!!.. LAURA, horny-insane VAMPirela, giving her bombastic body to a lil’ goblin in front of everybody’s face!!!... TAKASHI, KICKS MAFIA’S most handsome, delicious and obscure one... KIM, the BLEU HOTTIE from outer space... and EGALLIANO vs. RYUZO, attractions of CIRCUS TFR, the former a 15 EYES BLACK WIDOW, and the latter a TRANSVESTITE GIPSY COMPUTER, drunks and druggeds, and pawing each other whilst people passed by, how HUMAN after all!!!!!!

español\\\\a TEENAGE KICKS PARANOIA, mas de 500 papichulos poseidos por la lujuria y las drogas duras, y 3 de ellos vinieron con sus lenguas de hienas y sus miradas de insecto volando hacia nuestros labios, que asco!... a AINOTAMENISHISU, por ser igual de anarquistas y simios borrachos dentro y fuera del escenario - gracias por no pegarnos!... a PETTY, que entro como ‘el tio cosa conoce a barbie’, y salio como ‘barbie follada por los muertos vivientes’... a MIKIRIHASSHIN CREW, unos japoneses nacionalistas y pueblerinos que se alucinaban en el dia de la independencia,-y por primera vez nos encanto ese rollo, que verguenza!... a YOHEI, el hombre vaca, pero ya que no tienes tetas, de donde le saldra su leche?... los CHAPTER, el MENAGE A TROIS de los supersonicos, de los futuristas, hombre es un TRIO!, que es lo unico que nos va a gustar por siempre y mas tarde y DESPUES!!!... al JAP PISTOLS, un punkoreta ochentoso, y eso que detestamos los 80`s, pero el con esos lentes, y esos zapatos, y su diente quebrado, LO MAS!!... a LAURA, vampirela enajenada y salida, entregando su cuerpazo a un duendecillo en la cara de todos!!... a TAKASHI, el mas apuesto, delicioso y obscuro de la mafia KICKS… a KIM, la pibon from outer space… y a EGALLIANO vs. RYUZO, atracciones del CIRCUS TFR, la primera una VIUDA NEGRA de 15 OJOS, y el segundo un ORDENADOR GITANO TRAVESTI, borrachos y drogados, y magreandose mientras la gente pasaba, cuan HUMANOS despues de todo!!!!!!!



1. best fashion- RYUZO [tfr]. EGALLIANO [stylist]. YOHEI [meat]. PETTY [trainers]. MIKIRIHASSHIN CREW [mikirihasshin]. CHAPTER MENAGE A TROIS [chapter]. SUSUMU [sister paul]. JAP PISTOLS [???].TOY BOY [???]. TAKASHI [kicks]. KIM [tfr]. MAIMAI [clubkid]. LAURA [uke]. MOJAMOJA [???]. MAI [lik neon]. HIDEPON [???]. DRUNK GALS [???].BOY SHOUTS [kicks]. TUKEBE [yxxxn]. HISOKA SHOUTS [kicks]. TAVUCHI [spank!]. ORANGE NET GAL [???]. SKINNY [???].... and everybody inside of this fucking fashion snapping!!!!


3. best dj- EVERYBODY

4. best hair- PETTY [trainers]

5. best make up- EGALLIANO [stylist]. RYUZO [tfr]

6. best fashion toy- RYUZO glasses [tfr]. EGALLIANO eyes [stylist]. TOY BOY [???]

7. best headdress- TOY BOY [???]. PETTY [trainers]

8. best wig- PETTY [trainers]. ANPI [clubkid]

9. best pair look- MIKIRIHASSHIN BOYS [mikirihasshin]

10. best group look- CHAPTER MENAGE A TROIS [chapter]

11. best foxie- MAIMAI [clubkid]

12. best hottie- TAKASHI [kicks]

13. best hentai- LAURA [uke]

14. best bitch- TAVUCHI [spank!]

15. fashion spot- INDIVIDUAL

* our criteria is tyrannically subjective. It is based on our fine sensibility towards the vanguard in fashion design, in styling, in superfitial heresies and club musics. Despite our nihilism, we still want to create a better world.